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Review: NFRW/T, ANKOLE

Rating:

An interesting concept lacking in execution.

NFRW/T, produced by ANKOLE and playing as part of Pride Fest, “honors the duality of feminine and masculine energies that present in Nature, respected in Egypt since 3150 BC”. A 60-minute circus, dance and spoken word performance, the thematic content is interesting and general vision intriguing. But its clunky presentation limits the experience.

NFRW/T features four “healers” – circus artists, visual artists, spoken word performers and dancers – who give a series of performances about nature’s reverence and our human connection to it. Three of those healers take on particular identities; Ari Salaam is the Watersnake, Ugba is the Earthcat, and Dez is the Airbird. Visual art by Shaanni is projected behind the healers.

Following a brief introduction, Salaam performs on an aerial hoop that takes up much of the Loading Dock Theatre space. They presented some interesting shapes and lines, but the hoop’s size was problematic. Salaam’s movement causes it to swing rapidly, which in turn causes frequent clanging with the supporting rig. Such clanging interrupts the flow of the performance, making it difficult for both the performer and the audience to remain focused.

Salaam’s performance is followed by Ugba, the Earthcat. He uses the same rig but with silks attached instead. This proves much more successful; the silks cause fewer issues, making the flow of the performance more fluid. Though the storytelling could be stronger, Ugba’s movement is complex and performed well; his physicality and technical skills are particularly commendable.

The final solo, performed by Dez, is the strongest of the three. Their movement is visceral, intense and highly expressive. Despite not using the rig, the audience really gets a sense of the Airbird and the energy it has. Overall, Dez’s technique, rhythm and presence dominates the stage.

Moments where the cast perform together are less notable; the movement is not as impressive and the healers are not given the opportunity to showcase their individual skills. The ending feels quite restricted. Ultimately, NFRW/T has a unique vision, but this vision is only questionably brought to life.

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