Review: Garry Starr: Classic Penguins
'moves from strength to strength'
Jaynie Ng
Review: U>N>I>T>E>D, Chunky Move
'conceptually weak'
Review: Sheltering, Bangarra Dance Theatre
'beautifully produced, thoroughly considered and culturally rich'
Review: Gia Ophelia, JB Theatre Co
'engaging'
Review: WAKE, THISISPOPBABY (Sydney Festival)
"overflowing with awe, wonder and vitality"
Review: Congratulations, Get Rich! (恭喜发财, 人日快乐), Sydney Theatre Company
"lacks focus and depth"
Review: Phar Lap: The Electro-Swing Musical, Hayes Theatre Co
"strikingly polished"
Liveworks Roundup: 두물머리 Dumulmeori (where two rivers meet), Long Sentences
"more synchrony and dynamism in the choreography and scores would have made this a more engaging show"
Review: Fairies Anonymous, Ruby Monkey Productions
"a celebration"
Review: Overture, FORM Dance Projects
When is a theatre truly alive? Is it once audiences flood in, brimming with anticipation, or when the show hits the climactic finale? Or perhaps