Reviews Review: Mozart’s Great Mass in C Minor, Sydney Symphony OrchestraAryan MohseniJune 12, 2023June 12, 2023 by Aryan MohseniJune 12, 2023June 12, 2023 'charming, galant music'
Reviews Review: Beethoven Septet & Louise Farrenc Nonet – New PerspectivesAryan MohseniJune 5, 2023June 7, 2023 by Aryan MohseniJune 5, 2023June 7, 2023 'shimmering'
Reviews Review: The Mozarts, The Haydns, & The BearAryan MohseniMay 2, 2023May 2, 2023 by Aryan MohseniMay 2, 2023May 2, 2023 'whimsical'
Reviews Review: Sweet Melodies and Angry Tempests, Salut! BaroqueAryan MohseniApril 28, 2023 by Aryan MohseniApril 28, 2023 'and showpiece it was'
Community Review: The Gesualdo SixAryan MohseniApril 6, 2023April 7, 2023 by Aryan MohseniApril 6, 2023April 7, 2023 'a privilege'
Reviews Review: Tamara Anna Cislowska and Gerard WillemsAryan MohseniMarch 30, 2023April 4, 2023 by Aryan MohseniMarch 30, 2023April 4, 2023 'undoubtedly great fun'
Reviews Review: Bach at Easter: Missa Brevis in FAryan MohseniMarch 26, 2023March 27, 2023 by Aryan MohseniMarch 26, 2023March 27, 2023 'leaves no gaps'
Reviews Review: St John PassionAryan MohseniMarch 24, 2023March 24, 2023 by Aryan MohseniMarch 24, 2023March 24, 2023 'A moving interpretation of a timeless masterpiece'
Reviews Review: Viennese VogueAryan MohseniMarch 20, 2023June 16, 2023 by Aryan MohseniMarch 20, 2023June 16, 2023 'remarkable'
Reviews Review: Jordi Savall with Hespèrion XXI, Sydney Opera HouseAryan MohseniMarch 2, 2023 by Aryan MohseniMarch 2, 2023 'a thoughtfully-curated concert program'