Reviews Review: Haydn’s Passion, Australian Haydn EnsembleAryan MohseniDecember 5, 2024December 5, 2024 by Aryan MohseniDecember 5, 2024December 5, 2024 'inventive, exciting but pleasing'
Reviews Review: Bach’s Christmas Oratorio, Bach Akademie AustraliaAryan MohseniNovember 12, 2024November 13, 2024 by Aryan MohseniNovember 12, 2024November 13, 2024 'directed with a keen musicality'
Reviews Review: Simone Young conducts Mozart’s Jupiter Symphony, Sydney Symphony OrchestraAryan MohseniNovember 12, 2024November 13, 2024 by Aryan MohseniNovember 12, 2024November 13, 2024 'admirable'
Reviews Review: Mozart’s Jupiter, Australian Brandenburg OrchestraAryan MohseniNovember 5, 2024 by Aryan MohseniNovember 5, 2024 'a celebration'
Reviews Review: The Networker, Salut! BaroqueAryan MohseniOctober 12, 2024 by Aryan MohseniOctober 12, 2024 'ever-energetic'
Reviews Review: In the Steps of Bach – The Road to Lübeck, Bach Akademie AustraliaAryan MohseniSeptember 23, 2024September 23, 2024 by Aryan MohseniSeptember 23, 2024September 23, 2024 'no mean feat'
Reviews Review: Handel’s House, Australian Brandenburg OrchestraAryan MohseniSeptember 3, 2024September 3, 2024 by Aryan MohseniSeptember 3, 2024September 3, 2024 'elegant simplicity'
Reviews Review: Voices of the Italian Baroque, Sydney Philharmonia ChoirsAryan MohseniAugust 18, 2024August 18, 2024 by Aryan MohseniAugust 18, 2024August 18, 2024 Privileging music over the words. There is something quite fitting about a performance of Voices of the Italian Baroque in Sydney’s St James Church, King
Reviews Review: The Choir of King’s College, CambridgeAryan MohseniAugust 5, 2024August 5, 2024 by Aryan MohseniAugust 5, 2024August 5, 2024 'a visceral affirmation of self'
Reviews Review: Bach – The Mind of a Genius, Bach Akademie AustraliaAryan MohseniJune 24, 2024June 24, 2024 by Aryan MohseniJune 24, 2024June 24, 2024 'ars est celare artem'