Reviews Review: Bach – The Mind of a Genius, Bach Akademie AustraliaAryan MohseniJune 24, 2024June 24, 2024 by Aryan MohseniJune 24, 2024June 24, 2024 'ars est celare artem'
Reviews Review: Celestial and Romantic Interludes, The Muffat CollectiveAryan MohseniJune 22, 2024 by Aryan MohseniJune 22, 2024 'jocund'
Reviews Review: Mendelssohn’s Elijah, Sydney Philharmonia ChoirAryan MohseniMay 20, 2024May 20, 2024 by Aryan MohseniMay 20, 2024May 20, 2024 'forceful'
Reviews Review: Bach’s Brandenburg, Canberra International Music FestivalAryan MohseniMay 12, 2024May 27, 2024 by Aryan MohseniMay 12, 2024May 27, 2024 'a strong sense of unity'
Reviews Review: The Inspired JS Bach: Return from Lübeck, The Early Music Collective SydneyAryan MohseniMay 5, 2024May 5, 2024 by Aryan MohseniMay 5, 2024May 5, 2024 'mystical'
Reviews Review: Baroque Kaleidoscope, Australian Brandenburg OrchestraAryan MohseniMay 5, 2024May 6, 2024 by Aryan MohseniMay 5, 2024May 6, 2024 There is nothing mediocre about an ABO concert. This orchestra specialises in extremities, variety and sheer fun. Paul Dyer began, with characteristic energy, directing the
Reviews Review: Schumann DichterliebeAryan MohseniApril 30, 2024May 2, 2024 by Aryan MohseniApril 30, 2024May 2, 2024 'thoughtful'
Reviews Review: Osmo Vänskä Conducts the Music of Sibelius, Sydney Symphony OrchestraAryan MohseniApril 29, 2024 by Aryan MohseniApril 29, 2024 'shimmering'
Reviews Review: Mozart Requiem, Sydney Chamber ChoirAryan MohseniApril 29, 2024 by Aryan MohseniApril 29, 2024 'striking'
Reviews Review: The Benefactor, Bach Akademie AustraliaAryan MohseniApril 20, 2024April 20, 2024 by Aryan MohseniApril 20, 2024April 20, 2024 'effective'