Reviews Review: The First Murder, Pinchgut OperaAryan MohseniMay 25, 2026May 26, 2026 by Aryan MohseniMay 25, 2026May 26, 2026 'early Italian opera at its finest'
Reviews Review: Der Schwanengesang, The Song CompanyAryan MohseniMay 23, 2026May 23, 2026 by Aryan MohseniMay 23, 2026May 23, 2026 "a moment to behold"
Reviews Review: Invitation to the Dance, Salut! BaroqueAryan MohseniApril 27, 2026April 27, 2026 by Aryan MohseniApril 27, 2026April 27, 2026 'Baroque dance'
Reviews Review: Choral Splendour, Australian Brandenburg OrchestraAryan MohseniApril 12, 2026April 14, 2026 by Aryan MohseniApril 12, 2026April 14, 2026 'striking'
Reviews Review: St John Passion, Sydney Philharmonia ChoirsAryan MohseniApril 7, 2026April 8, 2026 by Aryan MohseniApril 7, 2026April 8, 2026 'thoughtful'
Reviews Review: Bach & Telemann: Concertos & Sonatas, Pinchgut OperaAryan MohseniMarch 30, 2026March 30, 2026 by Aryan MohseniMarch 30, 2026March 30, 2026 'descended upon the audience like a thunderbolt'
Reviews Review: Orfeo by Luigi Rossi, Ensemble PygmalionAryan MohseniMarch 9, 2026March 11, 2026 by Aryan MohseniMarch 9, 2026March 11, 2026 'early music at its finest'
Reviews Review: Baroque Masters, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2026February 26, 2026 by Aryan MohseniFebruary 22, 2026February 26, 2026 'fiery exchanges'
Reviews Review: Concord of Sweet Sounds, Salut! BaroqueAryan MohseniFebruary 2, 2026February 8, 2026 by Aryan MohseniFebruary 2, 2026February 8, 2026 'as cosmopolitan as ever'
Reviews Review: Bach’s Christmas Oratorio, Sydney Philharmonia ChoirsAryan MohseniDecember 15, 2025December 17, 2025 by Aryan MohseniDecember 15, 2025December 17, 2025 "thoughtful"