Reviews Review: Invitation to the Dance, Salut! BaroqueAryan MohseniApril 27, 2026April 27, 2026 by Aryan MohseniApril 27, 2026April 27, 2026 'Baroque dance'
Reviews Review: Choral Splendour, Australian Brandenburg OrchestraAryan MohseniApril 12, 2026April 14, 2026 by Aryan MohseniApril 12, 2026April 14, 2026 'striking'
Reviews Review: St John Passion, Sydney Philharmonia ChoirsAryan MohseniApril 7, 2026April 8, 2026 by Aryan MohseniApril 7, 2026April 8, 2026 'thoughtful'
Reviews Review: Bach & Telemann: Concertos & Sonatas, Pinchgut OperaAryan MohseniMarch 30, 2026March 30, 2026 by Aryan MohseniMarch 30, 2026March 30, 2026 'descended upon the audience like a thunderbolt'
Reviews Review: Orfeo by Luigi Rossi, Ensemble PygmalionAryan MohseniMarch 9, 2026March 11, 2026 by Aryan MohseniMarch 9, 2026March 11, 2026 'early music at its finest'
Reviews Review: Baroque Masters, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2026February 26, 2026 by Aryan MohseniFebruary 22, 2026February 26, 2026 'fiery exchanges'
Reviews Review: Concord of Sweet Sounds, Salut! BaroqueAryan MohseniFebruary 2, 2026February 8, 2026 by Aryan MohseniFebruary 2, 2026February 8, 2026 'as cosmopolitan as ever'
Reviews Review: Bach’s Christmas Oratorio, Sydney Philharmonia ChoirsAryan MohseniDecember 15, 2025December 17, 2025 by Aryan MohseniDecember 15, 2025December 17, 2025 "thoughtful"
Reviews Review: Messiah, Pinchgut OperaAryan MohseniNovember 30, 2025March 30, 2026 by Aryan MohseniNovember 30, 2025March 30, 2026 "distinguished"
Reviews Review: Bach Mass in B Minor, Sydney Chamber ChoirAryan MohseniNovember 23, 2025November 23, 2025 by Aryan MohseniNovember 23, 2025November 23, 2025 An exemplar of choral performance. Lutheranism is often mistaken for Calvinism. But its break with Catholicism was not as radical as many made it out