Reviews Review: Goldberg Variations, Pinchgut OperaAryan MohseniMarch 3, 2025March 6, 2025 by Aryan MohseniMarch 3, 2025March 6, 2025 'engages the mind of the student as much as the ear of the listener'
Reviews Review: Candide, Opera AustraliaAryan MohseniFebruary 22, 2025February 23, 2025 by Aryan MohseniFebruary 22, 2025February 23, 2025 'a well-crafted operetta'
Reviews Review: Samuel Mariño, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2025February 22, 2025 by Aryan MohseniFebruary 22, 2025February 22, 2025 'a masterclass in control and dynamic range'
Reviews Review: Haydn’s Passion, Australian Haydn EnsembleAryan MohseniDecember 5, 2024December 5, 2024 by Aryan MohseniDecember 5, 2024December 5, 2024 'inventive, exciting but pleasing'
Reviews Review: Bach’s Christmas Oratorio, Bach Akademie AustraliaAryan MohseniNovember 12, 2024November 13, 2024 by Aryan MohseniNovember 12, 2024November 13, 2024 'directed with a keen musicality'
Reviews Review: Simone Young conducts Mozart’s Jupiter Symphony, Sydney Symphony OrchestraAryan MohseniNovember 12, 2024November 13, 2024 by Aryan MohseniNovember 12, 2024November 13, 2024 'admirable'
Reviews Review: Mozart’s Jupiter, Australian Brandenburg OrchestraAryan MohseniNovember 5, 2024 by Aryan MohseniNovember 5, 2024 'a celebration'
Reviews Review: The Networker, Salut! BaroqueAryan MohseniOctober 12, 2024 by Aryan MohseniOctober 12, 2024 'ever-energetic'
Reviews Review: In the Steps of Bach – The Road to Lübeck, Bach Akademie AustraliaAryan MohseniSeptember 23, 2024September 23, 2024 by Aryan MohseniSeptember 23, 2024September 23, 2024 'no mean feat'
Reviews Review: Handel’s House, Australian Brandenburg OrchestraAryan MohseniSeptember 3, 2024September 3, 2024 by Aryan MohseniSeptember 3, 2024September 3, 2024 'elegant simplicity'