Reviews Review: Bach – The Mind of a Genius, Bach Akademie AustraliaAryan MohseniJune 24, 2024June 24, 2024 by Aryan MohseniJune 24, 2024June 24, 2024 'ars est celare artem'
Reviews Review: Trophy Boys, Seymour Centre, Soft Tread and The Maybe PileMatt LightonJune 24, 2024June 24, 2024 by Matt LightonJune 24, 2024June 24, 2024 'well executed'
Community Features Interview: James Elazzi, ‘Karim’Manan LuthraJune 22, 2024June 22, 2024 by Manan LuthraJune 22, 2024June 22, 2024 Ahead of its opening on 25 July, Manan Luthra speaks with James Elazzi, Writer and Co-Director of Karim, about the play and his process. Manan: What is Karim about? James: Karim
Reviews Review: Celestial and Romantic Interludes, The Muffat CollectiveAryan MohseniJune 22, 2024 by Aryan MohseniJune 22, 2024 'jocund'
Features News Feature: The Historian, Salut! BaroqueWriting TeamJune 18, 2024June 18, 2024 by Writing TeamJune 18, 2024June 18, 2024 Having perfected the art of being in the right place at the right time, Dr Charles Burney (1726-1814) found himself in some notable moments of
Reviews Review: King James, Little Ripa ProductionsManan LuthraJune 17, 2024June 17, 2024 by Manan LuthraJune 17, 2024June 17, 2024 'a strong play'
Features Interview: Sally Melhuish, Salut! Baroque, The HistorianManan LuthraJune 3, 2024June 16, 2024 by Manan LuthraJune 3, 2024June 16, 2024 'the writer on eighteenth century music who is most often quoted'
Reviews Review: Never Closer, Belvoir St TheatreManan LuthraJune 2, 2024June 3, 2024 by Manan LuthraJune 2, 2024June 3, 2024 'thoughtful'