Reviews Review: Annie Jacobs-Perkins, Utzon Music 2025Aryan MohseniOctober 13, 2025October 13, 2025 by Aryan MohseniOctober 13, 2025October 13, 2025 "expressive"
Reviews Review: The Art of Violin, Bach Akademie AustraliaAryan MohseniSeptember 29, 2025September 29, 2025 by Aryan MohseniSeptember 29, 2025September 29, 2025 "one of the best performances"
Reviews Review: Circa & The Art of Fugue, Australian Brandenburg OrchestraAryan MohseniAugust 13, 2025August 13, 2025 by Aryan MohseniAugust 13, 2025August 13, 2025 "thoughtful"
Reviews Review: St John Passion, Willoughby Symphony ChoirAryan MohseniJuly 30, 2025August 12, 2025 by Aryan MohseniJuly 30, 2025August 12, 2025 "joyful music"
Reviews Review: The Entrepreneur, Salut! BaroqueAryan MohseniJuly 20, 2025July 30, 2025 by Aryan MohseniJuly 20, 2025July 30, 2025 "playful"
Reviews Review: Mozart’s Clarinet, Musica Viva AustraliaAryan MohseniJuly 20, 2025July 20, 2025 by Aryan MohseniJuly 20, 2025July 20, 2025 "playful music"
Reviews Review: Mozart’s Salzburg & Linz, Australian Haydn EnsembleAryan MohseniJune 22, 2025June 23, 2025 by Aryan MohseniJune 22, 2025June 23, 2025 "a celebration of Mozart"
Reviews Review: Baroque Unleashed, Australian Brandenburg OrchestraAryan MohseniJune 21, 2025July 4, 2025 by Aryan MohseniJune 21, 2025July 4, 2025 'lively'
Reviews Review: The Class of ’85, Bach Akademie AustraliaAryan MohseniJune 1, 2025June 5, 2025 by Aryan MohseniJune 1, 2025June 5, 2025 A potpourri of the French, Italian and German styles. As with all Bach Akademie Australia concert programs, the program did not focus obsessively on Bach.
Reviews Review: Samson – G.F. Handel, Pacific Opera Studio and The Muffat CollectiveAryan MohseniMay 19, 2025May 26, 2025 by Aryan MohseniMay 19, 2025May 26, 2025 'redolent of a thunderbolt'