Reviews The Unbearable Weight of Massive Talent (Review)Manan LuthraApril 23, 2022 by Manan LuthraApril 23, 2022 How much more Nicolas Cage can you get?
Reviews MOZART: Viennese Star (Review)Aryan MohseniMarch 21, 2022 by Aryan MohseniMarch 21, 2022 'A celebration of the form of the string quartet'
Reviews Mozart’s Prague (Review)Aryan MohseniDecember 20, 2021December 20, 2021 by Aryan MohseniDecember 20, 2021December 20, 2021 'A grand way to end the year'
Reviews The Boomkak Panto (Review)Manan LuthraNovember 26, 2021November 27, 2021 by Manan LuthraNovember 26, 2021November 27, 2021 'Nothing short of a romp'
Reviews Home Chat (Review)Tolga CanbulatNovember 10, 2021November 10, 2021 by Tolga CanbulatNovember 10, 2021November 10, 2021 'a great opportunity to see one of Coward’s least-known shows'
Community Features DMC (Feature)Matt LightonSeptember 27, 2021September 28, 2021 by Matt LightonSeptember 27, 2021September 28, 2021 'It's energetic, it's a good vibe'
Reviews The Isklander Trilogy, Episode I: Plymouth Point (Review)Tolga CanbulatSeptember 24, 2021September 24, 2021 by Tolga CanbulatSeptember 24, 2021September 24, 2021 'A fun and exciting lockdown experience'
Reviews The Woman in Black (Review)Tolga CanbulatJune 22, 2021June 22, 2021 by Tolga CanbulatJune 22, 2021June 22, 2021 'The best adaption of Hill’s original work'
Reviews The Haunting (Review)Manan LuthraJune 11, 2021 by Manan LuthraJune 11, 2021 'An unexplainably joyful experience'
Reviews Beethoven’s Pastoral (Review)Hugh RobertsonJune 8, 2021June 8, 2021 by Hugh RobertsonJune 8, 2021June 8, 2021 'Sweet, delicate, and sensitively played'