Reviews Review: Messiah, Pinchgut OperaAryan MohseniNovember 30, 2025November 30, 2025 by Aryan MohseniNovember 30, 2025November 30, 2025 "distinguished"
Reviews Review: Bach Mass in B Minor, Sydney Chamber ChoirAryan MohseniNovember 23, 2025November 23, 2025 by Aryan MohseniNovember 23, 2025November 23, 2025 An exemplar of choral performance. Lutheranism is often mistaken for Calvinism. But its break with Catholicism was not as radical as many made it out
Reviews Review: Samson – G.F. Handel, Pacific Opera Studio and The Muffat CollectiveAryan MohseniMay 19, 2025May 26, 2025 by Aryan MohseniMay 19, 2025May 26, 2025 'redolent of a thunderbolt'
Reviews Review: Celestial and Romantic Interludes, The Muffat CollectiveAryan MohseniJune 22, 2024 by Aryan MohseniJune 22, 2024 'jocund'
Reviews Review: Heavenly Sopranos, Australian Haydn EnsembleAryan MohseniApril 20, 2024April 20, 2024 by Aryan MohseniApril 20, 2024April 20, 2024 'the title is no mere puff'
Reviews Review: Beethoven’s Seventh, Australian Haydn EnsembleAryan MohseniAugust 29, 2023August 29, 2023 by Aryan MohseniAugust 29, 2023August 29, 2023 'A celebration of what the Ensemble does best'
Reviews Review: Mozart to Mendelssohn, The Muffat CollectiveAryan MohseniJuly 8, 2023July 8, 2023 by Aryan MohseniJuly 8, 2023July 8, 2023 'as tastefully curated as it was performed'
Reviews Review: Die Stille Nacht, Australian Haydn EnsembleAryan MohseniJune 29, 2023June 29, 2023 by Aryan MohseniJune 29, 2023June 29, 2023 'a turn to the Baroque'
Reviews Review: St John PassionAryan MohseniMarch 24, 2023March 24, 2023 by Aryan MohseniMarch 24, 2023March 24, 2023 'A moving interpretation of a timeless masterpiece'
Reviews Review: Haydn’s Suns & Mendelssohn’s StarsAryan MohseniMarch 2, 2023March 2, 2023 by Aryan MohseniMarch 2, 2023March 2, 2023 'the ensemble at its best'