Reviews Review: King James, Little Ripa ProductionsManan LuthraJune 17, 2024June 17, 2024 by Manan LuthraJune 17, 2024June 17, 2024 'a strong play'
Features Interview: Sally Melhuish, Salut! Baroque, The HistorianManan LuthraJune 3, 2024June 16, 2024 by Manan LuthraJune 3, 2024June 16, 2024 'the writer on eighteenth century music who is most often quoted'
Reviews Review: Never Closer, Belvoir St TheatreManan LuthraJune 2, 2024June 3, 2024 by Manan LuthraJune 2, 2024June 3, 2024 'thoughtful'
Reviews Review: Mendelssohn’s Elijah, Sydney Philharmonia ChoirAryan MohseniMay 20, 2024May 20, 2024 by Aryan MohseniMay 20, 2024May 20, 2024 'forceful'
Reviews Review: Bach’s Brandenburg, Canberra International Music FestivalAryan MohseniMay 12, 2024May 27, 2024 by Aryan MohseniMay 12, 2024May 27, 2024 'a strong sense of unity'
Reviews Review: Nayika: A Dancing Girl, Belvoir St TheatreManan LuthraMay 7, 2024May 7, 2024 by Manan LuthraMay 7, 2024May 7, 2024 'perfect'
Reviews Review: The Inspired JS Bach: Return from Lübeck, The Early Music Collective SydneyAryan MohseniMay 5, 2024May 5, 2024 by Aryan MohseniMay 5, 2024May 5, 2024 'mystical'
Reviews Review: Baroque Kaleidoscope, Australian Brandenburg OrchestraAryan MohseniMay 5, 2024May 6, 2024 by Aryan MohseniMay 5, 2024May 6, 2024 There is nothing mediocre about an ABO concert. This orchestra specialises in extremities, variety and sheer fun. Paul Dyer began, with characteristic energy, directing the
Reviews Review: Schumann DichterliebeAryan MohseniApril 30, 2024May 2, 2024 by Aryan MohseniApril 30, 2024May 2, 2024 'thoughtful'