Reviews Review: Mozart’s Salzburg & Linz, Australian Haydn EnsembleAryan MohseniJune 22, 2025June 22, 2025 by Aryan MohseniJune 22, 2025June 22, 2025 "a celebration of Mozart"
Reviews Review: Koreaboo, Griffin Theatre CompanyManan LuthraJune 21, 2025June 21, 2025 by Manan LuthraJune 21, 2025June 21, 2025 "sweet and earnest"
Features Feature: Kansas Smeaton, I Am You and You Are Me, COMA GalleryManan LuthraJune 21, 2025June 21, 2025 by Manan LuthraJune 21, 2025June 21, 2025 "well worth your time"
Features Interview: Luke Spicer, Folk Reimagined: East in SymphonyManan LuthraJune 21, 2025 by Manan LuthraJune 21, 2025 'dialogue, respect, and creativity can flourish beyond politics'
Reviews Review: Baroque Unleashed, Australian Brandenburg OrchestraAryan MohseniJune 21, 2025June 21, 2025 by Aryan MohseniJune 21, 2025June 21, 2025 'lively'
Reviews Review: Scott Silven: The Lost ThingsManan LuthraJune 15, 2025June 15, 2025 by Manan LuthraJune 15, 2025June 15, 2025 "clever"
Reviews Review: L’HôtelJaynie NgJune 11, 2025June 11, 2025 by Jaynie NgJune 11, 2025June 11, 2025 'sharp and slick'
Reviews Review: The Class of ’85, Bach Akademie AustraliaAryan MohseniJune 1, 2025June 5, 2025 by Aryan MohseniJune 1, 2025June 5, 2025 A potpourri of the French, Italian and German styles. As with all Bach Akademie Australia concert programs, the program did not focus obsessively on Bach.