Reviews Review: The Last Train to Madeline, Australian Theatre for Young PeopleManan LuthraMarch 16, 2026 by Manan LuthraMarch 16, 2026 'a warm and quietly affecting production'
Reviews Review: Fair Play, Lost ThoughtIzzy AzzopardiMarch 15, 2026March 15, 2026 by Izzy AzzopardiMarch 15, 2026March 15, 2026 'excels at tackling topical conversations'
Reviews Review: Monster, Tiny Dog ProductionsIzzy AzzopardiMarch 14, 2026 by Izzy AzzopardiMarch 14, 2026 'engrossing'
Reviews Review: Julius Caesar, Bell ShakespeareManan LuthraMarch 14, 2026March 14, 2026 by Manan LuthraMarch 14, 2026March 14, 2026 'vivid'
Reviews Review: Orfeo by Luigi Rossi, Ensemble PygmalionAryan MohseniMarch 9, 2026March 11, 2026 by Aryan MohseniMarch 9, 2026March 11, 2026 'early music at its finest'
Reviews Review: As You Like It, Fingerless TheatreIzzy AzzopardiMarch 9, 2026March 9, 2026 by Izzy AzzopardiMarch 9, 2026March 9, 2026 'very much worth seeing'
Reviews Review: The Monk, Rockdale Opera CompanyMatt LightonMarch 4, 2026March 5, 2026 by Matt LightonMarch 4, 2026March 5, 2026 "stunning"
Reviews Review: Baroque Masters, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2026February 26, 2026 by Aryan MohseniFebruary 22, 2026February 26, 2026 'fiery exchanges'
Reviews Review: Gia Ophelia, JB Theatre CoJaynie NgFebruary 18, 2026 by Jaynie NgFebruary 18, 2026 'engaging'
Reviews Review: Concord of Sweet Sounds, Salut! BaroqueAryan MohseniFebruary 2, 2026February 8, 2026 by Aryan MohseniFebruary 2, 2026February 8, 2026 'as cosmopolitan as ever'