Reviews Review: Back to the Future: The MusicalManan LuthraOctober 3, 2025October 3, 2025 by Manan LuthraOctober 3, 2025October 3, 2025 "a thoroughly entertaining ride"
Reviews Review: Celebrations – An Evening of Opera Favourites, Pacific Opera StudioMatt LightonOctober 3, 2025 by Matt LightonOctober 3, 2025 "each performer brought something distinctly themselves"
Reviews Review: Whitefella Yella Tree, Sydney Theatre CompanyManan LuthraSeptember 30, 2025September 30, 2025 by Manan LuthraSeptember 30, 2025September 30, 2025 "timeless"
Reviews Review: The Art of Violin, Bach Akademie AustraliaAryan MohseniSeptember 29, 2025September 29, 2025 by Aryan MohseniSeptember 29, 2025September 29, 2025 "one of the best performances"
Reviews Review: I Watched Someone Die on TikTok, essential workersJaynie NgSeptember 27, 2025September 27, 2025 by Jaynie NgSeptember 27, 2025September 27, 2025 "insightful"
Reviews Fringe Roundup: Sh!t Theatre: Or What’s Left of Us, Soup Friends, Traffic Light PartyManan LuthraSeptember 21, 2025September 21, 2025 by Manan LuthraSeptember 21, 2025September 21, 2025 "a green flag"
Reviews Review: Orlando, Belvoir St TheatreMatt LightonSeptember 18, 2025September 20, 2025 by Matt LightonSeptember 18, 2025September 20, 2025 More inspired by Orlando than a faithful adaptation, the play, directed by Carissa Licciardello (who alongside Elsie Yager co-adapted the text) sweeps across several English
Reviews Review: Triptych, Lewis Major ProjectsJaynie NgSeptember 18, 2025September 18, 2025 by Jaynie NgSeptember 18, 2025September 18, 2025 "may be barriers for general audiences"
Reviews Fringe Roundup: A Succulent Chinese Musical?!, Elixir Revived, Yuki NivezManan LuthraSeptember 7, 2025September 14, 2025 by Manan LuthraSeptember 7, 2025September 14, 2025 "our thoughts on some of the festival’s offerings"
Reviews Review: La Bohème, Opera AustraliaManan LuthraAugust 24, 2025August 24, 2025 by Manan LuthraAugust 24, 2025August 24, 2025 "visceral"