Reviews Review: Die Stille Nacht, Australian Haydn EnsembleAryan MohseniJune 29, 2023June 29, 2023 by Aryan MohseniJune 29, 2023June 29, 2023 'a turn to the Baroque'
Reviews Review: Sydney Symphony Brass MusiciansAryan MohseniJune 21, 2023June 21, 2023 by Aryan MohseniJune 21, 2023June 21, 2023 'spectacular'
Reviews Review: Consent, Outhouse Theatre CompanyEden CacedaJune 16, 2023September 11, 2023 by Eden CacedaJune 16, 2023September 11, 2023 'Some of the finest casts on stage this year'
Reviews Review: Mozart’s Great Mass in C Minor, Sydney Symphony OrchestraAryan MohseniJune 12, 2023June 12, 2023 by Aryan MohseniJune 12, 2023June 12, 2023 'charming, galant music'
Reviews Review: Scenes From the Climate Era, Belvoir St TheatreMatt LightonJune 7, 2023June 7, 2023 by Matt LightonJune 7, 2023June 7, 2023 'able to draw out a truth that a more typical play would have struggled to tell'
Reviews Review: Beethoven Septet & Louise Farrenc Nonet – New PerspectivesAryan MohseniJune 5, 2023June 7, 2023 by Aryan MohseniJune 5, 2023June 7, 2023 'shimmering'
Reviews Review: Short Blanket, Slanted TheatreEden CacedaJune 1, 2023June 1, 2023 by Eden CacedaJune 1, 2023June 1, 2023 'full of intense emotions'
Reviews Review: Pony, Griffin Theatre CompanyEden CacedaMay 23, 2023May 23, 2023 by Eden CacedaMay 23, 2023May 23, 2023 'a mammoth performance'
Reviews All His Beloved Children (Review)Matt LightonMay 11, 2023May 13, 2023 by Matt LightonMay 11, 2023May 13, 2023 'superb'
Reviews Review: The Mozarts, The Haydns, & The BearAryan MohseniMay 2, 2023May 2, 2023 by Aryan MohseniMay 2, 2023May 2, 2023 'whimsical'