Reviews Iphigenia in Splott (Review)Matt LightonNovember 15, 2020 by Matt LightonNovember 15, 2020 'Brilliant'
Reviews Speaking in Tongues (Review)Kate ReynoldsNovember 15, 2020November 15, 2020 by Kate ReynoldsNovember 15, 2020November 15, 2020 'Certainly been worth the wait'
Reviews Haydn’s Dream & Bach’s Goldberg (Review)Aryan MohseniNovember 9, 2020November 9, 2020 by Aryan MohseniNovember 9, 2020November 9, 2020 'A mesmerising performance'
Reviews Animal Farm (Review)Tolga CanbulatOctober 18, 2020October 18, 2020 by Tolga CanbulatOctober 18, 2020October 18, 2020 'excels in every regard'
Reviews Bach’s Universal Light (Review)Aryan MohseniOctober 6, 2020October 8, 2020 by Aryan MohseniOctober 6, 2020October 8, 2020 'Not just a sum of its parts'
Reviews This Modern Coil (Review)Kate ReynoldsSeptember 24, 2020September 24, 2020 by Kate ReynoldsSeptember 24, 2020September 24, 2020 'Slightly absurd, laugh-out-loud funny and poignant'
Reviews Neighbourhood Watch (Review)Tolga CanbulatSeptember 12, 2020September 12, 2020 by Tolga CanbulatSeptember 12, 2020September 12, 2020 'A welcome return for the legendary New Theatre'
Reviews Welcome to the Masque (Review)Tolga CanbulatAugust 30, 2020August 30, 2020 by Tolga CanbulatAugust 30, 2020August 30, 2020 'A welcome return for Riverside Theatres'
Reviews The Confessions of Jeremy Perfect (Review)Tolga CanbulatAugust 30, 2020August 30, 2020 by Tolga CanbulatAugust 30, 2020August 30, 2020 'Thoroughly enjoyable'
Reviews The Golden Age (Review)Aryan MohseniAugust 22, 2020August 22, 2020 by Aryan MohseniAugust 22, 2020August 22, 2020 'A remarkable tribute to two great father-figures of the Classical sound-world'