Reviews ‘At Last’: Elenoa Rokobaro Live in Concert (Review)Matt LightonJune 24, 2020June 24, 2020 by Matt LightonJune 24, 2020June 24, 2020 'Connects us back into what is fundamentally most important'
Reviews The Gospel According to Paul (Review)Charles HamblingMarch 16, 2020March 16, 2020 by Charles HamblingMarch 16, 2020March 16, 2020 'See it twice'
Reviews The Bridges of Madison County (Review)Manan LuthraMarch 12, 2020March 12, 2020 by Manan LuthraMarch 12, 2020March 12, 2020 'Lovely visuals, a much-experienced cast, and expert musical direction'
Reviews The Impresario (Review)Aryan MohseniMarch 8, 2020March 10, 2020 by Aryan MohseniMarch 8, 2020March 10, 2020 'Faultless and energetic'
Reviews Sherlock Holmes and the Death on Thor Bridge (Review)Luca De SantisMarch 7, 2020March 7, 2020 by Luca De SantisMarch 7, 2020March 7, 2020 'An enjoyable show that was easily viewed'
Reviews Veronica’s Room (Review)Nathaniel GleesonFebruary 29, 2020February 29, 2020 by Nathaniel GleesonFebruary 29, 2020February 29, 2020 'Well-crafted and complex'
Reviews Our Blood Runs in the Street (Review)Manan LuthraFebruary 23, 2020February 23, 2020 by Manan LuthraFebruary 23, 2020February 23, 2020 'A poignant reminder of the hate that pervades the LGBT+ community'
Reviews HMS Pinafore (Review)Charles HamblingFebruary 22, 2020February 22, 2020 by Charles HamblingFebruary 22, 2020February 22, 2020 'A bold experiment'
Reviews Crunch Time (Review)Manan LuthraFebruary 20, 2020February 22, 2020 by Manan LuthraFebruary 20, 2020February 22, 2020 'A show you cannot miss'
Reviews Life is Impossible (Review)Maggy FranklinFebruary 20, 2020February 20, 2020 by Maggy FranklinFebruary 20, 2020February 20, 2020 'An entertaining and thought-provoking production'