Reviews Review: Mozart’s Salzburg & Linz, Australian Haydn EnsembleAryan MohseniJune 22, 2025June 23, 2025 by Aryan MohseniJune 22, 2025June 23, 2025 "a celebration of Mozart"
Reviews Review: Koreaboo, Griffin Theatre CompanyManan LuthraJune 21, 2025June 21, 2025 by Manan LuthraJune 21, 2025June 21, 2025 "sweet and earnest"
Features Feature: Kansas Smeaton, I Am You and You Are Me, COMA GalleryManan LuthraJune 21, 2025June 21, 2025 by Manan LuthraJune 21, 2025June 21, 2025 "well worth your time"
Features Interview: Luke Spicer, Folk Reimagined: East in SymphonyManan LuthraJune 21, 2025 by Manan LuthraJune 21, 2025 'dialogue, respect, and creativity can flourish beyond politics'
Reviews Review: Baroque Unleashed, Australian Brandenburg OrchestraAryan MohseniJune 21, 2025July 4, 2025 by Aryan MohseniJune 21, 2025July 4, 2025 'lively'
Reviews Review: Scott Silven: The Lost ThingsManan LuthraJune 15, 2025June 15, 2025 by Manan LuthraJune 15, 2025June 15, 2025 "clever"
Reviews Review: L’HôtelJaynie NgJune 11, 2025June 11, 2025 by Jaynie NgJune 11, 2025June 11, 2025 'sharp and slick'
Reviews Review: The Class of ’85, Bach Akademie AustraliaAryan MohseniJune 1, 2025June 5, 2025 by Aryan MohseniJune 1, 2025June 5, 2025 A potpourri of the French, Italian and German styles. As with all Bach Akademie Australia concert programs, the program did not focus obsessively on Bach.
Reviews Review: Samson – G.F. Handel, Pacific Opera Studio and The Muffat CollectiveAryan MohseniMay 19, 2025May 26, 2025 by Aryan MohseniMay 19, 2025May 26, 2025 'redolent of a thunderbolt'
Reviews Review: Rossini in Paris, Sydney Philharmonia ChoirsAryan MohseniMay 19, 2025May 21, 2025 by Aryan MohseniMay 19, 2025May 21, 2025 'Love, oppression, revolt, and the triumph of the everyman make for great opera.'