Reviews Review: Voices of the Italian Baroque, Sydney Philharmonia ChoirsAryan MohseniAugust 18, 2024August 18, 2024 by Aryan MohseniAugust 18, 2024August 18, 2024 Privileging music over the words. There is something quite fitting about a performance of Voices of the Italian Baroque in Sydney’s St James Church, King
Reviews Review: The Choir of King’s College, CambridgeAryan MohseniAugust 5, 2024August 5, 2024 by Aryan MohseniAugust 5, 2024August 5, 2024 'a visceral affirmation of self'
Reviews Review: Bach – The Mind of a Genius, Bach Akademie AustraliaAryan MohseniJune 24, 2024June 24, 2024 by Aryan MohseniJune 24, 2024June 24, 2024 'ars est celare artem'
Reviews Review: Trophy Boys, Seymour Centre, Soft Tread and The Maybe PileMatt LightonJune 24, 2024June 24, 2024 by Matt LightonJune 24, 2024June 24, 2024 'well executed'
Reviews Review: Celestial and Romantic Interludes, The Muffat CollectiveAryan MohseniJune 22, 2024 by Aryan MohseniJune 22, 2024 'jocund'
Reviews Review: King James, Little Ripa ProductionsManan LuthraJune 17, 2024June 17, 2024 by Manan LuthraJune 17, 2024June 17, 2024 'a strong play'
Reviews Review: Never Closer, Belvoir St TheatreManan LuthraJune 2, 2024June 3, 2024 by Manan LuthraJune 2, 2024June 3, 2024 'thoughtful'
Reviews Review: Mendelssohn’s Elijah, Sydney Philharmonia ChoirAryan MohseniMay 20, 2024May 20, 2024 by Aryan MohseniMay 20, 2024May 20, 2024 'forceful'
Reviews Review: Bach’s Brandenburg, Canberra International Music FestivalAryan MohseniMay 12, 2024May 27, 2024 by Aryan MohseniMay 12, 2024May 27, 2024 'a strong sense of unity'
Reviews Review: Nayika: A Dancing Girl, Belvoir St TheatreManan LuthraMay 7, 2024May 7, 2024 by Manan LuthraMay 7, 2024May 7, 2024 'perfect'