Reviews The Confessions of Jeremy Perfect (Review)Tolga CanbulatAugust 30, 2020August 30, 2020 by Tolga CanbulatAugust 30, 2020August 30, 2020 'Thoroughly enjoyable'
Reviews The Golden Age (Review)Aryan MohseniAugust 22, 2020August 22, 2020 by Aryan MohseniAugust 22, 2020August 22, 2020 'A remarkable tribute to two great father-figures of the Classical sound-world'
Reviews Project Interlude (Review)Manan LuthraAugust 9, 2020August 10, 2020 by Manan LuthraAugust 9, 2020August 10, 2020 'A strong success on many theatrical fronts'
Reviews Faces of Sydney Festival: Bach Akademie Australia (Review)Aryan MohseniAugust 7, 2020August 7, 2020 by Aryan MohseniAugust 7, 2020August 7, 2020 'Excites the ear of the listener'
Reviews The Credeaux Canvas (Review)Manan LuthraJuly 25, 2020October 1, 2021 by Manan LuthraJuly 25, 2020October 1, 2021 'What else are you going to see?
Reviews Cavatina (Review)Aryan MohseniJuly 13, 2020July 14, 2020 by Aryan MohseniJuly 13, 2020July 14, 2020 'A mastery of musical expression'
Reviews Who’s Your Baghdaddy (Review)Manan LuthraJune 25, 2020April 26, 2021 by Manan LuthraJune 25, 2020April 26, 2021 'An unprecedented achievement in musical theatre'
Reviews ‘At Last’: Elenoa Rokobaro Live in Concert (Review)Matt LightonJune 24, 2020June 24, 2020 by Matt LightonJune 24, 2020June 24, 2020 'Connects us back into what is fundamentally most important'
Reviews The Gospel According to Paul (Review)Charles HamblingMarch 16, 2020March 16, 2020 by Charles HamblingMarch 16, 2020March 16, 2020 'See it twice'
Reviews The Bridges of Madison County (Review)Manan LuthraMarch 12, 2020March 12, 2020 by Manan LuthraMarch 12, 2020March 12, 2020 'Lovely visuals, a much-experienced cast, and expert musical direction'