Reviews Review: Macbeth, Genesian TheatreMatt LightonMarch 13, 2025March 13, 2025 by Matt LightonMarch 13, 2025March 13, 2025 'beautifully executed
Features Interview: Sally Melhuish, Salut! Baroque, Baroque SpiritManan LuthraMarch 10, 2025 by Manan LuthraMarch 10, 2025 'We hope audiences take away a sense of that dynamism and enthusiasm for experimentation and discovery'
Reviews Review: Goldberg Variations, Pinchgut OperaAryan MohseniMarch 3, 2025March 6, 2025 by Aryan MohseniMarch 3, 2025March 6, 2025 'engages the mind of the student as much as the ear of the listener'
Reviews Review: Song of First Desire, Belvoir St TheatreEden CacedaFebruary 27, 2025February 27, 2025 by Eden CacedaFebruary 27, 2025February 27, 2025 'a truly transformative show'
Reviews Review: Nucleus, Griffin Theatre CompanyTolga CanbulatFebruary 25, 2025February 25, 2025 by Tolga CanbulatFebruary 25, 2025February 25, 2025 'the most challenging conversations often happen not across picket lines, but across pillows'
Reviews Review: The Flea, New TheatreEden CacedaFebruary 25, 2025February 25, 2025 by Eden CacedaFebruary 25, 2025February 25, 2025 'one of the more dynamic shows of the season'
Reviews Review: Picnic at Hanging Rock, Sydney Theatre CompanyManan LuthraFebruary 23, 2025February 23, 2025 by Manan LuthraFebruary 23, 2025February 23, 2025 'technically superb, masterfully crafted, and deeply resonant'
Reviews Review: 4000 Miles, Sydney Theatre CompanyManan LuthraFebruary 23, 2025February 23, 2025 by Manan LuthraFebruary 23, 2025February 23, 2025 'a pleasant season opener'
Reviews Review: Candide, Opera AustraliaAryan MohseniFebruary 22, 2025February 23, 2025 by Aryan MohseniFebruary 22, 2025February 23, 2025 'a well-crafted operetta'
Reviews Review: Samuel Mariño, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2025February 22, 2025 by Aryan MohseniFebruary 22, 2025February 22, 2025 'a masterclass in control and dynamic range'