Reviews Innocence & Experience (Review)Aryan MohseniJune 29, 2022June 29, 2022 by Aryan MohseniJune 29, 2022June 29, 2022 'Old coalesces with the new'
Reviews A Letter for Molly (Review)Tolga CanbulatMay 19, 2022May 19, 2022 by Tolga CanbulatMay 19, 2022May 19, 2022 'A highly entertaining and touching exploration of family, Aboriginal cultural identity and womanhood'
Reviews Haydn’s Creation (Review)Aryan MohseniMay 3, 2022 by Aryan MohseniMay 3, 2022 'A spectacular oratorio'
Reviews Van Diemen’s Band (Review)Aryan MohseniMay 3, 2022 by Aryan MohseniMay 3, 2022 'An exemplar of baroque musical performance'
Reviews The Unbearable Weight of Massive Talent (Review)Manan LuthraApril 23, 2022 by Manan LuthraApril 23, 2022 How much more Nicolas Cage can you get?
Reviews MOZART: Viennese Star (Review)Aryan MohseniMarch 21, 2022 by Aryan MohseniMarch 21, 2022 'A celebration of the form of the string quartet'
Reviews Mozart’s Prague (Review)Aryan MohseniDecember 20, 2021December 20, 2021 by Aryan MohseniDecember 20, 2021December 20, 2021 'A grand way to end the year'
Reviews The Boomkak Panto (Review)Manan LuthraNovember 26, 2021November 27, 2021 by Manan LuthraNovember 26, 2021November 27, 2021 'Nothing short of a romp'
Reviews Home Chat (Review)Tolga CanbulatNovember 10, 2021November 10, 2021 by Tolga CanbulatNovember 10, 2021November 10, 2021 'a great opportunity to see one of Coward’s least-known shows'
Reviews The Isklander Trilogy, Episode I: Plymouth Point (Review)Tolga CanbulatSeptember 24, 2021September 24, 2021 by Tolga CanbulatSeptember 24, 2021September 24, 2021 'A fun and exciting lockdown experience'