Reviews Review: Orfeo by Luigi Rossi, Ensemble PygmalionAryan MohseniMarch 9, 2026March 11, 2026 by Aryan MohseniMarch 9, 2026March 11, 2026 'early music at its finest'
Reviews Review: Baroque Masters, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2026February 26, 2026 by Aryan MohseniFebruary 22, 2026February 26, 2026 'fiery exchanges'
Reviews Review: Concord of Sweet Sounds, Salut! BaroqueAryan MohseniFebruary 2, 2026February 8, 2026 by Aryan MohseniFebruary 2, 2026February 8, 2026 'as cosmopolitan as ever'
Reviews Review: Bach’s Christmas Oratorio, Sydney Philharmonia ChoirsAryan MohseniDecember 15, 2025December 17, 2025 by Aryan MohseniDecember 15, 2025December 17, 2025 "thoughtful"
Reviews Review: Messiah, Pinchgut OperaAryan MohseniNovember 30, 2025November 30, 2025 by Aryan MohseniNovember 30, 2025November 30, 2025 "distinguished"
Reviews Review: Bach Mass in B Minor, Sydney Chamber ChoirAryan MohseniNovember 23, 2025November 23, 2025 by Aryan MohseniNovember 23, 2025November 23, 2025 An exemplar of choral performance. Lutheranism is often mistaken for Calvinism. But its break with Catholicism was not as radical as many made it out
Reviews Review: The Brandenburg Concertos, Bach Akademie AustraliaAryan MohseniNovember 19, 2025November 21, 2025 by Aryan MohseniNovember 19, 2025November 21, 2025 "no mean feat"
Reviews Review: Voice, Rejoice!, Salut! BaroqueAryan MohseniOctober 27, 2025October 27, 2025 by Aryan MohseniOctober 27, 2025October 27, 2025 "robust"
Reviews Review: Annie Jacobs-Perkins, Utzon Music 2025Aryan MohseniOctober 13, 2025October 13, 2025 by Aryan MohseniOctober 13, 2025October 13, 2025 "expressive"
Reviews Review: The Art of Violin, Bach Akademie AustraliaAryan MohseniSeptember 29, 2025September 29, 2025 by Aryan MohseniSeptember 29, 2025September 29, 2025 "one of the best performances"