Reviews Review: Samson – G.F. Handel, Pacific Opera Studio and The Muffat CollectiveAryan MohseniMay 19, 2025May 26, 2025 by Aryan MohseniMay 19, 2025May 26, 2025 'redolent of a thunderbolt'
Reviews Review: Rossini in Paris, Sydney Philharmonia ChoirsAryan MohseniMay 19, 2025May 21, 2025 by Aryan MohseniMay 19, 2025May 21, 2025 'Love, oppression, revolt, and the triumph of the everyman make for great opera.'
Reviews Review: St Matthew Passion, Sydney Philharmonia ChoirsAryan MohseniApril 28, 2025April 28, 2025 by Aryan MohseniApril 28, 2025April 28, 2025 'serendipitous'
Reviews Review: Baroque Spirit, Salut! BaroqueAryan MohseniApril 13, 2025April 13, 2025 by Aryan MohseniApril 13, 2025April 13, 2025 'delightful'
Reviews Review: The Countertenor – Bach’s Holy Spirit, Bach Akademie AustraliaAryan MohseniApril 8, 2025April 9, 2025 by Aryan MohseniApril 8, 2025April 9, 2025 'divine'
Reviews Review: Schubert’s Winterreise: Trifonov & Goerne in Recital, Sydney Symphony OrchestraAryan MohseniApril 1, 2025 by Aryan MohseniApril 1, 2025 'adventurous'
Reviews Review: Bach’s Orchestral Suites, Australian Brandenburg OrchestraAryan MohseniMarch 30, 2025March 31, 2025 by Aryan MohseniMarch 30, 2025March 31, 2025 'a rollicking chorus of joy'
Reviews Review: Dido & Aeneas, Opera Australia and CircaAryan MohseniMarch 13, 2025April 28, 2025 by Aryan MohseniMarch 13, 2025April 28, 2025 'delightful
Reviews Review: Goldberg Variations, Pinchgut OperaAryan MohseniMarch 3, 2025March 6, 2025 by Aryan MohseniMarch 3, 2025March 6, 2025 'engages the mind of the student as much as the ear of the listener'
Reviews Review: Candide, Opera AustraliaAryan MohseniFebruary 22, 2025February 23, 2025 by Aryan MohseniFebruary 22, 2025February 23, 2025 'a well-crafted operetta'