Reviews Review: Baroque Spirit, Salut! BaroqueAryan MohseniApril 13, 2025April 13, 2025 by Aryan MohseniApril 13, 2025April 13, 2025 'delightful'
Reviews Review: The Countertenor – Bach’s Holy Spirit, Bach Akademie AustraliaAryan MohseniApril 8, 2025April 9, 2025 by Aryan MohseniApril 8, 2025April 9, 2025 'divine'
Reviews Review: Schubert’s Winterreise: Trifonov & Goerne in Recital, Sydney Symphony OrchestraAryan MohseniApril 1, 2025 by Aryan MohseniApril 1, 2025 'adventurous'
Reviews Review: Bach’s Orchestral Suites, Australian Brandenburg OrchestraAryan MohseniMarch 30, 2025March 31, 2025 by Aryan MohseniMarch 30, 2025March 31, 2025 'a rollicking chorus of joy'
Reviews Review: Dido & Aeneas, Opera Australia and CircaAryan MohseniMarch 13, 2025March 14, 2025 by Aryan MohseniMarch 13, 2025March 14, 2025 'delightful
Reviews Review: Goldberg Variations, Pinchgut OperaAryan MohseniMarch 3, 2025March 6, 2025 by Aryan MohseniMarch 3, 2025March 6, 2025 'engages the mind of the student as much as the ear of the listener'
Reviews Review: Candide, Opera AustraliaAryan MohseniFebruary 22, 2025February 23, 2025 by Aryan MohseniFebruary 22, 2025February 23, 2025 'a well-crafted operetta'
Reviews Review: Samuel Mariño, Australian Brandenburg OrchestraAryan MohseniFebruary 22, 2025February 22, 2025 by Aryan MohseniFebruary 22, 2025February 22, 2025 'a masterclass in control and dynamic range'
Reviews Review: Haydn’s Passion, Australian Haydn EnsembleAryan MohseniDecember 5, 2024December 5, 2024 by Aryan MohseniDecember 5, 2024December 5, 2024 'inventive, exciting but pleasing'
Reviews Review: Bach’s Christmas Oratorio, Bach Akademie AustraliaAryan MohseniNovember 12, 2024November 13, 2024 by Aryan MohseniNovember 12, 2024November 13, 2024 'directed with a keen musicality'